|Charles Blackman OBE|
12 August 1928 |
|Education||East Sydney Technical College|
|Known for||Alice in Wonderland series|
|Spouse(s)||Barbara Patterson Blackman
Genevieve de Couvreur
Charles Blackman OBE (born 12 August 1928), is an Australian painter, noted for the Schoolgirl, Avonsleigh and Alice in Wonderland series of the 1950s. He was a member of the Antipodeans, a group of Melbourne painters that also included Arthur Boyd, David Boyd, John Brack, Robert Dickerson, John Perceval and Clifton Pugh. He was married for 27 years to the noted author, essayist, poet, librettist and patron of the arts, Barbara Patterson Blackman.
Early life and initial success
Blackman, born 12 August 1928 in Sydney, left school at 13 and worked as an illustrator with the Sydney Sun newspaper while attending night classes at East Sydney Technical College (1943–46) though was principally self-taught. He was later awarded an honorary doctorate. He came to notice following his move to Melbourne in the mid-1940s, where he became friends with Joy Hester, John Perceval and Laurence Hope as well as gaining the support of critic and art patron John Reed. His work met critical acclaim through his early Schoolgirl and Alice series, the latter Blackman's conception of Lewis Carroll's most famous character. For some time while painting the Alice series, Blackman worked as a cook at a café run by art dealer Georges Mora and his wife, fellow artist Mirka Mora.
In 1959 he was a signatory to the Antipodean Manifesto, a statement protesting the dominance of abstract expressionism. The manifesto's adherents have been dubbed the Antipodeans Group. His work is associated with dreamlike images tinged with mystery and foreboding. In 1960 he and his family lived in London after Blackman won a Helena Rubenstein travelling scholarship, settling in Sydney upon his return five and a half years later. In 1970 he moved to Paris, when awarded the atelier studio in the Cité des Artes. He lived there for a year at the same time as John Coburn, and subsequently returned often, as Paris was an eternal source of inspiration.
His strong friendships with fellow artists led to field trips, sessions with models, cultural interchanges with poets, writers, musicians and worked with the ballet, doing set designs, i.e. Daisy Bates. After 27 years of marriage, Barbara Patterson Blackman and Charles Blackman divorced in 1978, largely because of his alcoholism. He married the young artist Genevieve de Couvreur, a 19-year-old friend of his children. She divorced him after 8 years, as his alcoholism grew deeper; and in 1989 he married a third wife, Victoria Bower, whom he also later divorced. He has six children, Auguste, Christabel, Barnaby, Beatrice, Felix and Axiom, most of them artists and musicians in their own right.
Charles leads a life of dignity thanks to a dedicated team of carers and family. Still one of the most respected and saleable artists in Australia, he maintains a good sense of humour and a will of iron. Outings to various cafes and drives along Sydney Harbour foreshore are key to his happiness. Charles is currently working with family recreating the Avonsleigh paintings in print. This is one of the essential periods of his career and precursor to the Alice series. Charles and Barbara moved to Avonsleigh with Joy Hester and Gray Smith in 1954/55 . During this time Charles produced some of the most exquisite dreamscapes, including 'Skygazer'. Charles is happy to reflect on this time and see his paintings revealed once more. These sale of these works support his daily care and comfort.
His accountant and close friend, Tom Lowenstein, set up the Charles Blackman Trust to manage the painter's affairs. Lowenstein periodically sells off the works that Blackman still owns to ensure Blackman's expenses are taken care of. Blackman suffers from dementia and lives a simple but happy life in his rented home in Sydney.
He has won many prizes and distinctions, culminating in a major retrospective in 1993 and being appointed an Officer of the Order of the British Empire (OBE) for services to Australian art in 1977.
- Nick Galvin (April 9, 2016). "How being blind became a 'gift' for author Barbara Blackman". Sydney Morning Herald.
- The antipodean manifesto: essays in art and history, Melbourne: Oxford University Press, 1975
- Juddery, Bruce (25 November 1967). "Sees Canberra as cultural heart". The Canberra Times. p. 11.
- The Blackmans. ABC Confidential. Series 3 | Episode 6. ABC television,
- "Blackman rediscovers artistic muse at 80". Retrieved 18 September 2008.
- The Blackmans. ABC Confidential. Series 3 | Episode 6. ABC television.
- It's an Honour. Retrieved 19 February 2017
- McCabe, Christine (22 September 2010). "Guests in Wonderland". The Australian. Retrieved 25 October 2010.
- http://www.thegoldenday.info/ retrieved 7 July 2012
- http://artsearch.nga.gov.au/Detail.cfm?IRN=87576&PICTAUS=TRUE retrieved 7 July 2012
- The Blackman Hotel
- Charles Blackman on Artabase
- Charles Blackman's works at the Art Gallery of New South Wales
- Street Scene 1960 Ballarat Fine Art Gallery.
- Charles Blackman artwork at Chrysalis Publishing
- Charles Blackman at Australian Art at the Wayback Machine (archived 23 July 2008)
- Charles Blackman "Works from 1952–92" review by Grafico Topico's Sue Smith
- Charles Blackman at Greenhill Galleries
- Charles Blackman "Dreams and Shadows" on Amazon