Aziz Mian Qawwal
Pride of Performance
|Birth name||Abdul Aziz|
|Also known as||Aziz Mian Meeruthi|
17 April 1942|
Delhi, British India
6 December 2000 (aged 58)|
Aziz Mian Qawwal (Urdu: عزیز میاں قوال) (17 April 1942 – 6 December 2000) was one of Pakistan's leading traditional qawwals and also famous for singing ghazals in his own unique style of qawwali. Aziz is still one of the most popular qawwals of South Asia, and he has given us many Qawwali hits. He holds the record for singing the longest commercially released qawwali, Hashr Ke Roz Yeh Poochhunga, which runs slightly over 115 minutes.
Early life and background
Aziz Mian was born as Abdul Aziz (Urdu: عبد العزیز) in Delhi, British India. name=Dawn> The exclamation Mian, which he often used in his qawwalis, became part of his stage name. He began to introduce himself as Aziz Mian Meeruthi. The word Meerut refers to Meerut, a city in northern India, from which he migrated to Pakistan in 1947.
At the age of ten, he began learning the art of Qawwali under the tutelage of Ustad Abdul Wahid Khan of Lahore. He received sixteen years of training at the Data Ganj Baksh School of Lahore, and earned degrees in Urdu literature, Arabic and Persian from the University of Punjab, Lahore.
Aziz Mian was one of the non-traditional Pakistani Qawwals. His voice was raspy and powerful. Aziz Mian was the only prominent qawwal to write his own lyrics (though, like others, he also performed songs written by other poets). Aziz Mian was a contemporary, and often a competitor, of The Sabri Brothers.
Aziz Mian Was A Very Knowledgeable Person, He Started From Data Darbar Of Lahore, He Was A Very Learned And Educated And Was Also A Scholar, Aziz Mian Was A Sufi Dervish Too. He Was Not Like An Ordinary Dervish, He Used To Visit Data Darbar Every Thursday And Thus Gained A Lot Of Blessings From The Shrine.
His break-out performance was in 1966, when he performed before the Shah of Iran, Mohammad Reza Pahlavi. He won first prize and a gold medal from the Shah of Iran. In the early days of his career, he was nicknamed Fauji Qawwal (Urdu: فوجی قوال) (meaning "Military Qawwal") because most of his early stage-performances were in military barracks for the army personnel. He was known for a "more recitative, more dramatic diction" and was inclined toward qawwali's religious rather than entertainment qualities, though he also enjoyed success in more romantic qawwalis.
He was fond of discussing religious and Sufi paradoxes in his qawwalis. He directly addressed Allah and complained about the misery of man (the greatest creation of the Almighty). In addition to his own poetry, Aziz Mian performed poetry by Allama Iqbal, and a number of contemporary Urdu poets, including S M Sadiq, Saifuddin Saif and Qateel Shifai.
Aziz Mian Was Considered As One Of The Greatest Sufi Singers, Some Of His Masterworks Include Nabi Nabi Ya Nabi Nabi, Teri Soorat & Main Sharabi, Allah Hi Jane Kaun Bashar Hai, Haye Kambakht Tune Pee Hi Nahi, Baksh Deta Toh Baat Kuch Bhi Na Thi, Aadmi Hai Benazir, Tere Ishq Nachaya, Aasmaan Se Utaara Gaya, And Mujhe Azmaane Wale.
Later Hits Included Ishq Ka Devta Hussain, Daba Ke Chal Diye, Jannat Mujhe Mile Na Mila, Yeh Hai Maikada, Chadar Fatima Ki, Woh Dil Hi Kya, And Aaj Ki Raat Hai.
Aziz Mian died from complications of hepatitis in Tehran, Iran on 6 December 2000. He was in Iran at the invitation of the Government of Iran, to perform on the occasion of Imam Ali's death anniversary. He is buried in Multan, on the brink of Nau Bahar Nehar[Canal]. His death anniversary (Urs) is celebrated every year on the first Thursday of May, the Urs celebrations commence with the 'Ghusal' ceremony conducted by Mian Saheb's son Shibli Aziz and Rasm e Sandal of Baba Nadir Hussain famously known as 'Tootan Wali Sarkar' who is a murid of Aziz Mian. The Urs celebrations continue for three days, starting with 'Ghusal' followed by 'Chadar Poshi' and 'Mehfil e Samaa' (Urdu: Mehfil-e-Samaa) of Qawwali ('samaa' means the listening audience in Urdu and Arabic). Around seven to eight qawal groups perform. The Celebration terminates after the last ritual of 'Qul'. The Urs (death anniversary) celebration are organized by Shibli Aziz Mian, who is more interested in mysticism and Sufi traditions. He is promoting and propagating these spiritual heritage of his father and have a quite a number of disciples (Mureeds) and followers.
Aziz Mian had four sons Junaid, Tabreiz, Imran and Faran who all followed in his footsteps. They are very similar in style to Aziz Mian himself and like other sons of famous qawwals (Amjad Sabri for example, or Waheed and Naveed Chishti), they perform many of their father's hits. Tabrez is however considered to be the closest to his father's style. His looks and his style are a mirror image of his father. Tabrez also toured North America for a tribute to Aziz Mian Qawwal.
Super Hit Qawwalies
- Aziz Mian Qawwal || Main Sharabi Sharabi Lyrics || 2 Lines Status
- Aziz Mian Qawwal | Nabi Nabi Ya Nabi Nabi Lyrics | Islamic Video Qawwali
- Aziz Mian Qawwal || Main Sharabi Sharabi Lyrics || 2 Lines Whatsapp Status
- Aziz Mian Qawwal | Muhammad Ki Shaan | Islamic Video Status
- Aziz Mian Qawwal | NABI NABI YA NABI Lyrics | Islamic Video Status
- Aziz Mian Qawwal || Man Kunto Maula Lyrics || Islamic Whatsapp Status
- Aziz Mian Qawwal || Aaj Rang Hai Re Maa || Whatsapp Status Shayari
- Aziz Mian Qawwal || Allah Hi Jane Kon Bashar Hai Lyrics || Whatsapp Status
- Aziz Mian Qawwal || Mehshar Main Allah ki Shan || 2 Lines Whatsapp Status
- Aziz Mian Qawwal || Best 2 Lines Whatsapp Status || Status Shayari
- Aziz Mian Qawwal || Best Whatsapp Status || Best 2 Lines Whatsapp Status || Whatsapp Status Shayari
- Aziz Mian Qawwal - Best Lines For Whatsapp Status
- Aziz Mian Qawwal - Koi Aye Koi Jaye
- Aziz Mian Qawwal - Main Sharabi Sharabi Lyrics
- Aziz Mian Qawwal - Nabi Nabi Ya Nabi Nabi
These excerpts are intended to give a flavour of Aziz Mian's poetry. Note the irreverent tone in which he addressed spiritual matters. As is traditional in qawwali (see Qawwali#Song content), Aziz Mian also wrote songs in praise of the joys of drink (meh). These songs embody an extended metaphor, wherein "wine" represents "knowledge of the Divine", the "cupbearer" (saaqi) is God or a spiritual guide, and the "tavern" is the metaphorical place where the soul may (or may not) be fortunate enough to attain spiritual enlightenment. the terms Similarly, the romantic songs represent the soul, abandoned in this world by that cruel and cavalier lover, God, singing of the agony of separation, and the depth of its yearning for reunion.
Hai Allah tera naam to woh tha jo be-ginti lete
Kya lutf jo gin gin ke tera naam liya
O lord, your name deserves to be taken countlessly.
What joy can there be in carefully counting it out?
(Aashiqi Dillagi Nahin Hoti)
Kho gaya hai kya khuda jo dhoondhta phirta hai tu?
Has God got himself lost that you go searching for him everywhere?
(Aashiqi Dillagi Nahin Hoti)
Supne vich mera maahi mileyaa
Te main paa layi gal vich baawaan
Dar di maari palak na kholaan
Kitte pher vichhad na jaawan
I met my beloved in a dream
And locked my arms around his neck.
Now I don't dare open my eyes
For fear we'll be separated again.
(Akh Larr Gayee Yaar Naal)
Tamaam duniya ko dikha baitthe apna jamaal
Mera waqt aaya to chilman daal di
Bade badnaseeb the hum, ke qaraar tak na pauhanche
Dar-e-yaar tak to pauhanche, dil-e-yaar tak na pauhanche
You showed your beauty to the whole world.
When it was my turn, you let the curtain fall.
It was my misfortune, that I could not reach this rest.
I could only reach her door, I could not reach her heart.
(Bade Badnaseeb The Hum)
Ay Allah, waiz ki bandagi hai jahannum ke khauf se
Maine gunah kiye tujhe ghaffar samajh kar
The preacher is pious only because he's terrified of hell, Lord.
Whereas me, I sinned freely, trusting in your mercy
(Hashr Ke Roz Main Poochhunga)
Woh jahannum bhi mujhe de to karoon shukr ada
Koi apna hi samajh kar to sazaa deta hai
Even if he sends me to hell, I will still be grateful,
Since we punish only those who we count as our own
(Jannat Mujhe Mile Na Mile)
Main sharaabi, yaaron mujhe muaaaf karo
Main nashe mein hoon, yaaron mujhe muaaaf karo
Sheeshe mein mai, mai mein nasha, main nashe mein hoon
Ye apni masti hai, jisne machayi hai halchal
Nasha sharaab mein hota to nachti botal
I'm a drunkard; forgive me, my friends.
I'm intoxicated; forgive me, my friends.
There's wine in the glass, there's intoxication in the wine, and I am intoxicated.
But, no, this hubbub is of my own nature.
If intoxication lay in the wine, the bottle would do a drunken dance.
(Main Sharaabi Sharaabi)
Jannat jo mile, laa kar maikhaane mein rakh dena
Kausar ko mere chhote se paimaane mein rakh dena
Mayyat na meri jaa kar veerane mein rakh dena
Balki paimaanon mein dafnaa kar maikhaane mein rakh dena
Saaqi abhi maikhaane ka dar band na karna
Shaayad mujhe jannat ki hawa raas na aaye
If they give me paradise, just leave it for me in the tavern.
Pour the entire fountain of paradise into my little goblet.
When I die, don't go leaving my body in some forlorn place.
Just bury me in goblets, and leave them in the tavern.
And, listen, don't lock up the tavern just yet either.
It's entirely possible that paradise won't suit me too well.
(Main Sharaabi Sharaabi)
Tere sawaal ka yaar ab jawaab dete hain
Ba roz-e-hashr hai, itni bhi jaldbaazi kya
Zara sharaab to pee lein, hisaab dete hain
Give me a moment, I'll get to your question.
It's judgement day, so what's the big hurry now?
Some wine first, I'll render my accounts by and by.
(Main Sharaabi Sharaabi)
To farishte poochhenge mehshar mein paakbaazon se
Gunah kyoon na kare, kya khuda rahim na tha?
Trust me, the angels will ask the pious on judgement day:
"Why didn’t you sin? Didn’t you trust in God’s mercy?"
(Milegi Sheikh Ko Jannat)
Maine dil diya, pyaar ki hadh thi
Maine jaan di, aitbaar ki hadh thi
Mar gaye hum, khuli rahi aankhen
Yeh mere intezaar ki hadh thi
I gave my heart; that was the height of love.
I put my life in her hands; that was the height of trust.
I died, but my eyes refused to close.
That was the height of waiting.
(Teri Soorat Nigahon Mein)
Is daulat ko kya karna hai ?
Yeh soch ke ik din marna hai
What use is this fortune?
Think: one day you will die.
(Yeh Paisa Kya Karega)
Awards an recognition
- Aziz Mian - 1976 (EMI Pakistan)
- Allah Hi Jaane Kaun Bashar Hai - 1976 (EMI Pakistan)
- Aziz Mian Qawwal & Party - 1977 (EMI Pakistan)
- Is Tere Sar Ki Qasam - 1978 (EMI Pakistan)
- Aziz Mian & Others - 1979 (EMI Pakistan)
- Aziz Mian Qawwal Lyrics
- 73rd birth anniversary of Aziz Mian qawwal, Dawn (newspaper) Published 17 April 2014, Retrieved 2 July 2018
- Manuel, Peter Lamarche (1993). Cassette culture: popular music and technology in north India. U of Chicago P. p. 125. ISBN 978-0-226-50401-8. Retrieved 2 July 2018.
- Aziz Mian's Pride of Performance Award info on Dawn (newspaper) Published 17 April 2014, Retrieved 2 July 2018
- Profile of Aziz Mian on urduwire.com website Retrieved 2 July 2018
- Nidel, Richard (2005). World music: the basics. Routledge. p. 247. ISBN 978-0-415-96800-3. Retrieved 2 July 2018.
- Anees Hanif. "Aziz Mian Qawwal died 14 years ago today". ARY News website. Retrieved 2 July 2018.
- Imran Aziz Mian- like father, like son, on Dawn (newspaper) Published 30 June 2013, Retrieved 2 July 2018
- Qawwali by Aziz Mian on YouTube Retrieved 2 July 2018